Astrology history and apocalypse

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Fill out the form below to login. All year round, from sunrise to sunset, people in medieval Europe regulated their lives based on the position and movement of heavenly luminaries the sun and moon , the planets, and the stars that constitute the signs of the zodiac. Even the language for the days of the week shows this influence, with Latin-based names derived from planets:.

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It features a series of watercolors personifying planets or celestial bodies, including the Sun as an emperor, the Moon as a woman, Mars as an armored knight, Mercury as a doctor, Jupiter as a bishop, Venus as a lady holding an arrow of love, and Saturn as an elderly man. Each figure is associated with a color and adorned accordingly: golden yellow the Sun , green the Moon , red Mars , silver Mercury , blue Jupiter , white Venus , and black Saturn. Several pages later, circular diagrams declare the relationship between the luminaries or planets and the days of the week. The 24 hours of the day—indicated by Roman numerals I through XII repeated twice—are color-coded to the heavenly body that governs quotidian activities.

Representations of the zodiac signs Pisces, Libra, and Taurus are also found on these pages, each accompanied by planets or a luminary Pisces features Jupiter and Mars, Libra the moon, Saturn, and Jupiter, and Taurus Mercury, the Moon, and Saturn. Ludwig IX 6 Devotional or liturgical manuscripts often feature calendars that provide a wealth of information about faith and the cosmos.

One such codex type, the book of hours, contains prayers and readings for daily to annual use. A calendar for the month of May in a midth-century book of hours from Paris, for example, begins with an inscription stating that May has 31 days and 30 appearances of the moon.


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The first column includes Roman numerals to help readers determine the phases of the moon. They used this information to make decisions, such as when to fast or seek medicinal remedies. The second column indicates the days of the week, lettered A through G. At the bottom of the page, the artist included the so-called Labor of the Month, a seasonally appropriate activity such as picking flowers in April or sowing a field in October. The modern timeframes in the year for the zodiac signs have shifted from those in the Middle Ages, when they also dictated daily activity.

A diagram from a calendar manuscript indicates 54 major veins that may be drained according to the phases of the moon or the season of the year. This practice of bloodletting, an ancient medical process of withdrawing blood, seeks to balance bodily fluids known as humors such as black and yellow bile and phlegm. Ludwig XIV 9 A selection of manuscripts in Wondrous Cosmos provides insights into Christian theology and celestial themes in sacred scripture and art. The images and accompanying texts demonstrate the central role of heavenly lights, angels, and demons in church services and private devotional practices.

Ludwig III 1 A centerpiece of the exhibition is the Getty Apocalypse, a midth-century English manuscript containing the biblical book of Revelation also called Apocalypse , which describes enigmatic visions of the end of time. One of the most stunning page spreads features the so-called Woman Clothed in the Sun, with the moon at her feet, stars in her hair, and sunlight wreathing her body. Since the celestial omina were regarded not as deterministic but rather as indicative—as a kind of symbolic language in which the gods communicated with men about the future and as only a part of a vast array of ominous events—it was believed that their unpleasant forebodings might be mitigated or nullified by ritual means or by contrary omens.

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